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Production companies now hire and consult with people like Wind. Previously a VP senior specialist for Christie’s auction house, he now runs a booming vintage business from his base in Florida. One of his biggest wins was sourcing an original ‘Paul Newman’ Rolex Daytona for 2018’s Crazy Rich Asians. “People thought it was a fake,” says Wind, “because how could a real Paul Newman worth $500,000 have ended up in this brief little scene? I was proud of that one.”
Brands such as Cartier have seen the benefits of loosening up and working alongside a production. “I know they supplied watches for Succession,” says Wind, “because I was hoping to be involved, but brands are savvy now. They see the opportunity.”
Alongside noted dealers and experts, most productions work with a dedicated prop master whose job involves sourcing essential background items. “One thing you might not think about,” says Laura Roeper, prop master on The Bear, “is continuity. So obtaining the exact [same] Rolex after not filming for months is a challenge. A lot of watches are rentals and you just hope you can find them in time!”
Christopher Storer, director of The Bear, is a noted clothing and watch enthusiast, who works closely with Roeper on nailing down the details of pieces like Olivia Colman’s Rolex Submariner or Will Poulter’s Omega Seamaster. “We work with real chefs daily,” says Roeper, “so seeing what they are wearing is a big part of how I choose the watches.”
Lynda Reiss, a prop master who has worked on shows including Stranger Things and True Detective, says the hardest thing is sourcing more than one of the same watch, especially when factoring in stunt and photo doubles who often do driving and hand inserts (primetime wristshot moments).
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